Nwabia Obinna, aka
Phizbarz, a 23-year-old Nigerian Afropop artist, performs during a music video
in Lagos in April 2016
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Phizbarz is only 23 but hopes to become the next
Nigerian Afropop star to be famous across Africa -- and to get himself known
and earn a living, he's using his mobile phone.
The young performer from the country's commercial
and entertainment capital, Lagos, floods social networking sites Twitter,
Facebook and Instagram with clips of his music. Sometimes he appears as a baseball-capped rapper
surrounded by gyrating, scantily clad dancers, sometimes as a sheikh in a
pristine white dishdasha, dripping with gold.
In all, Phizbarz has composed about 100 songs but
has never produced an album. Instead, his creations are converted into
ringtones by telephone companies, who sell them individually and pay him and
his label 60 percent of the profits. Phizbarz himself earns about 50,000 naira (US$164,
€150) a month, which he considers a "decent" wage.
In Nigeria, performing artists have long been
left to their own devices because of the lack of a structured market, making
them powerless against piracy that accounts for most sales. In the packed streets of Lagos -- a capital of
creativity and temple of resourcefulness -- bootlegged copies are sold at car
windows or between packets of sweets, cigarettes and recent Nollywood releases
-- many of which are also pirated.
Ringtone market
For the last three years, there's been a
revolution in Nigeria's music industry because of digital sales and especially
mobile telephones, which are bringing in increasingly more revenue. Analysts PricewaterhouseCoopers (PwC) estimated
in a report published late last year that Nigeria's music industry was worth US$47
million in 2015 and should rise to US$86 million by 2020.
"Nigeria's total music revenue is dependent
on ringtones and ringback tones, with the legitimate music sector being small
otherwise," it added.
Instead of hearing a beep while waiting for a
caller to pick up, companies play the latest releases and offer them for
download.
Phizbarz is only 23 but
hopes to become the next Nigerian Afropop star to be famous across Africa
|
Telephone operators, led by South African mobile
giant MTN, sensed the potential of Nigeria, which is home to nearly 190 million
people and where music is almost a religion.
MTN, which has 60 million subscribers in Nigeria,
said it is the largest distributor of music.
Ringtones are sold at ₦50.00 each and it also
operates a download platform MTN Music Plus, which competes with world-leading
online music sites such as iTunes.
"There are lots of talented musicians on
this market who had issues with piracy, it was difficult for them to sell their
music," said MTN Nigeria's marketing director, Richard Iweanoge.
"We enable them to monetize the work. Every
year we pay out more money to the artists, it's really a working formula. Nigerians actually wanted to buy music,
they just didn't have the means to acquire it legally."
Brand development
Wannabe megastars like Phizbarz are looking to
emulate musicians such as D'banj and Davido, whose songs play in clubs from
Johannesburg to Cotonou and Kinshasa. With roots on the streets of Lagos, they are now
courted by major labels and record in Europe and the United States.
"Superstars like Wizkid inspire millions of
Nigerians," said Sam Onyemelukwe, the head of Entertainment Management
Company, a partner of the Trace TV music network. "There are not many jobs for them, not much
to do with their lives. Everybody wants to become a singer, have a lot of
girlfriends and buy a jet: it's glamorous."
The law of averages suggests few will attain the
dizzy heights of fame but mobile phones are one potentially lucrative way of
getting noticed. According to PwC, ringtone downloads alone can
earn artistes like D'banj and Davido up to US$350,000 a year.
"Anybody can record a song for a few
thousands of naira and sell it online," said Onyemelukwe. "There's
about one million 'artistes' in Nigeria. But very few of them are
successful."
Phizbarz doesn't need to be told. "The music
industry is very hard," he said.
Posting photos and videos online, and touring the
local music scene and radio stations is a way of trying to catch the attention
of one of the top industry figures, he said. "You sell your brand first and then you get
recognition. You have to know a lot of managers, radio
presenters. Even if your beats are good, it is more about who do you know in
the industry."
Originally published on DAILY MAIL UK WIRES
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